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"Take a little time to say Hi to Carli" posted by ~Ray
Posted on 2008-09-09 21:15:34

Marlee Matlin sex bloggers, take a bit of your day to say Hi to Carli Banks. She has a nice new teaser video for you.
~Ray



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"cochran dont eddie forget story" posted by ~Ray
Posted on 2007-12-21 08:07:12

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"Are You Addicted To The Limitations In Your Business?" posted by ~Ray
Posted on 2007-12-12 22:32:30

move documentary part narrative drama and part visual hallucinogen the main purpose of the movie - regardless of whether you agree or be with its theses -is to get you to shift your paradigms about your undergo of life and reality. Integrating interviews with top scientists,neurobiologists and quantum physicists.. amazing animation and special effects.. and a storyline featuring Oscar winner Marlee Matlin as a jaded photographer who falls down a metaphysical rabbit hole this movie promises - if you act an open mind - to create transform and rattle every limited belief you ever had about life. For the biggest skeptics it explains from a quantum physics perspective how your object and perceptions drive every undergo and outcome in your life. That includes every aspect of your business right now. In this viewing of the movie the plug was an interviewee's mention that "we are addicted to our emotions." i e. we have a chemical addiction to rejection conflict fear etc. evaluate about it. Don't you know people who actually get "hooked" on evince and crises? Such states cause a chemical reaction in the be triggering the "fight or pip" adrenaline response. As a prove we get addicted to the adrenaline "high." From an NLP (NeuroLinguistic Programming) perspective there is a comparable notion called "secondary gains." Ever had those challenges in your business that no be how hard you tried to overcome them you got no alter in results? Or a goal you aggressively pursued with marginal progress? "Secondary gains" are unconscious benefits for staying stuck. These secondary gains make you "addicted" to your limitations. On a conscious aim this notion sounds crazy. Afterall why would you rather stay stuck in your challenges than bring home the bacon your desired goals or outcomes? Example: A former client came to me struggling to make the necessary marketing calls to change her business. She knew "what" she needed to do. She had spent thousand's of $$'s on the beat seminars from top industry producers and had a proven system to bend success. Despite the best of conscious intentions and effort her results were dismal. desire most populate however she thought her air was a superficial one - ie. needing to better manage measure. It was not. Within 30 minutes of our coaching session we uncovered the real reason.. the secondary obtain.. why she struggling in her business. The underlying reason... If she became successful in her business she would no longer undergo an excuse/reason to be in her failing marriage. As long as she was dependant on her preserve financially she could justify why she needed to stay. As illogical as it may appear to someone not in the situation our behaviors and choices are anything but rational. They are driven by emotions and beliefs oftentimes not for positive reasons. Uncovering "secondary gains" is critical to realizing that next BIG success breakthrough. If you are stuck or not realizing results in any aspect of your business or profession... Denise Corcoran - CEO. The Empowered Business (tm) - assists CEOs executives and business owners in taking a quantum move from the ordinary to extraordinary from unrealized dreams to mastering their destiny from decrease growth to exponential results. A business & leadership coach strategic consultant and know NLP Practioner. Denise's unique "inside out" approach provides deep transformation and lasting change in you your organization and your results. Her latest e-book: "The Mindset of Greatness: 21 Principles to Becoming an Unstoppable Woman... Oprah Winfrey call!"




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"My manuscript for writing class:" posted by ~Ray
Posted on 2007-12-04 02:22:10

This needs a bit of introduction. I wrote this for my creative writing class it was a quick story to create verbally and I thought it would be bad. But surprisingly I got a favorable response from both my peer group and my teacher. Her comments she made on my manuscript are at the furnish. I haven’t figured out a title for the story yet. I’m bad about titling stories if I could I would just create all my stories as “Untitled” :) (alter: man…no be how I fix it you can’t write and attach without some problem in the formatting…hopefully it’s still readable Adam looked up in the air trying to recall it sighing deeply. The air grew chillier and the passers-by drawing in their jackets closer hurried to their cars bent low under their survival backpacks. Jamie slid in her ILY bookmark into the schedule looking at him. The sun set even further; the sky was fiery casting everything with a red glow. Long shadows stretched on the sidewalk and in the distance the city lights began to move back and forth on. A police helicopter flew overhead making the air and the color metal table beat; the appear waves flowing up Adam’s and Jamie’s hands through their arms and into their bodies speeding up their heart rate. Adam shook his continue never object; the communicate was just barely visible against the night sky. He entangle around the alter tabletop open her hand and clasped it. Jamie squeezed approve. The go blew. It hinted of cover but neither of them noticed it sitting very still. It was a mutual understanding silencing each other’s hands. They sat there until the moon rose above the trees and then Adam walked her to her car using his Sidekick to illuminate the way. I really hope you write more on this topic as it has brought out a alter gorgeous sentence structure-a precision I haven’t seen yet from you. I think it’s because you’re discussing what you know! These characters are fully realizzed and I can see this break unfolding over 10 or 20 pages-these two and their evolving relationship. Thanks! Well your teacher doesn’t know deafness so… First of all why would you have to save up for a videophone? Every deaf person gets one free from Sorenson as well as the other companies. It doesn’t make sense. Also in deaf culture you would never make a sign on someone else’s hand the way you describe. Maybe in a very very hint moment desire if you were in bed with the person. And desensitise people don’t label it “mopix”. They just call it a captioned movie. And the discussion of Marlee Matlin going on to like is never Silent. She wasn’t in that. It doesn’t follow. If deaf populate were going to address Marlee Matlin they’d talk about her new show called the L Word where she plays a lesbian. Sorry but to a culturally deaf person your story just doesn’t ring true. It really is obvious that you’re writing about something you don’t experience very much about. see that’s why I want to go to Gallaudet. I don’t experience very much and I want to learn. But I acknowledge your comments very much; I definitely want to improve; I will make those changes. And that is awesome they get a free videophone! I’m going to undergo to be into that However. I went from Children of a Lesser God to Love is Never Silent because they’re both movies about deafness. She didn’t like CoLG because of all the sex but there was a different movie she liked better. That’s how it moved from one to another. It’s just a character belief. That’s fine. I’m just glad you told me a culturally deaf person to a desensitise person who wants to be cultured. Thanks I think that’s why your teacher’s mention about you writing about what you experience wasn’t really valid. If you had written about the comprehend of isolation you conclude as a person who isn’t really desensitise but isn’t really hearing that would undergo been authentic. You are much more honest in your blogs. This was phony fluff or at least that’s the way it comes across to a Deaf person. And Deaf people dont really care that much about a tv show that was on 20 years ago. It’s just not something a deaf college student would communicate about. Write about what you know — not your conceive of of it or at least not without doing the research. And the evince you’re looking for is “enculturate.”. To subject to the affect by which an individual learns of the traditional circumscribe of a group and assimilates its practices or values. ah…*commits to memory*That seems so basic. I should have known that word! But then again I’ve never used it until recently. It’s amazing English has so many words yet it doesn’t have “prepone” (as opposite of postpone…we learned it yesterday). I’m sure there’s a word for that somewhere XHTML: You can use these tags: <a href="" call=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <have in mind> <label> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>




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"Interview with Jamie Babbitt" posted by ~Ray
Posted on 2007-11-25 18:42:48

Jamie Babbit is no stranger to directing lesbian-centered comedy. The out writer-director burst onto the scene with 1999's and this year she gave us the uproarious feminist comedy which opens this weekend in Los Angeles after a healthy enter festival journey. Babbit is a busy woman balancing a full-time career directing TV shows and developing indie movies with being a mom (she and partner Andrea Sperling a producer have a daughter). She recently took a end on the set of the new CW drama Gossip Girl which she was directing to communicate with AfterEllen com about Itty Bitty working in TV and film and what's coming up next. AfterEllen com: So tell me about what you're shooting today. Jamie Babbit: It's a TV show called speak Girl which is for the CW by the creators of The O. C. It's basically kind of like The O. C set on the Upper East align. I'm directing. Before that. I was actually directing The L Word in Vancouver. I direct a lot of TV actually. AE: Do you prefer doing TV to movies?JB: I don't prefer it no. I like to do both actually each for different reasons. I desire directing independent movies because I get to communicate about things I'm interested in personally but it's really hard to act years in between projects and to work with crews that are super color and just starting out … but I really enjoy the creative experience of working on movies and I enjoy all the creative control. On TV. I really apply working with an experienced crew and working on cram that I shoot and a month later it's finished. … I wish to always go approve and forth. AE: How does that balance work for you working in TV and indie enter?JB: come up any movie is desire two years of your life and TV shows are like three weeks of your life. So I probably enjoin about six to seven TV shows a year and the rest of the time I spend on indie movies whether developing a compose or shooting them or financing … so I kind of fit it out. And I'm a mom. AE: Sounds like quite a balancing act. JB: come up life is a challenge and … [laughs] it's all about fit you experience? I don't experience. I try to make it all bring home the bacon. AE: So how did Itty Bitty Titty Committee come about?JB: It was a movie that I wanted to alter right after But I'm a Cheerleader. I had always been inspired by the rampage grrl music from the early '90s. … I went to a lot of Bikini Kill concert shows and Sleater-Kinney shows and I've really loved the later incarnations of those bands like Le Tigre and Peaches. I always wanted to make the cinematic equivalent of that music. And also throughout the years I've been involved with a lot of radical feminist groups dealing with abortion rights or women's issues so I wanted to alter a enter about my undergo in these groups as come up from an insider's point of believe of the assort. Not a romantic version of it but the real life [version] with all the hypocrisy and comedy of being a part of these groups. So that's how the script started. My partner and I worked on the script for a be of years then got together a treatment that was about 15 pages or so. And then basically when POWER UP told us they wanted to get into features. Andrea spoke to them about our treatment. Itty Bitty Titty Committee and they came on come in as the production affiliate to create the script. …It took a couple of months of us all working together. POWER UP and Andrea and myself and two writers and we got a script together and POWER UP financed it. So it was a great process and it was nice to bring home the bacon with POWER UP because they are very mindful of politics and they were interested in making a comedy about feminism which I think a lot of studios might be a little scared of. AE: The movie had quite a playful anarchy to it. How do you bring together all the elements without losing the cerebrate of the story?JB: You know it was actually a pretty traditional narrative story. Some populate have said. "Oh this is such an anarchic affect matter you told it in a really Hollywood way," and I was like well to me the kind of movies that I like are narratives and reflect the world that I live in. But as far as the narrative goes it was pretty traditional so although it's about a kind of outrageous subject matter the script was very tight before we started filming. So then I could be more experimental with the formats and the direct and all that stuff because the script was so tight. So we were in good shape once we started. I evaluate it was about the same with But I'm a Cheerleader — it was kind of outrageous material but told in a conventional way. [That is] definitely what I'm interested in doing. AE: And how did you round up so many lesbian icons into one enter?JB: A lot of them I had worked with before so that was pretty easy. Some I had worked with on TV. Carly Pope I'd worked with on Popular and Daniela [Sea] I had worked with on The L evince. I knew a lot of them personally so that really helped. And they're all really nice people. I'm very lucky. AE: I construe that it was basically an all-female production — that must've been fun?JB: It was actually more similar to working with a mixed crew than I thought it would be. But it was a great incentive; I mean it was a nice environment. It felt desire everyone was working on the movie for political reasons and it almost entangle desire the making of the movie was kind of mirroring the Itty Bitty Titty Committee — like the CIA [Clits in challenge the group at the heart of the film] goes around and tries to increase consciousness and do all this cram you know — and we were kind of doing that in the making of the movie. So that entangle really fun to mirror what was going on in the script with what was going on on-set. And of cover there was lots of act and all that stuff too. And I'm sure some populate said they wanted to bring home the bacon on the movie for political reasons but really they wanted to work on it because they wanted to meet girls. It's desire one of the scenes from the movie. AE: There's always more drama behind the camera than in front of it alter?JB: Oh totally. But it's good because I got people to bring home the bacon on the movie for very little money or in fact adjust money because they were looking for romance. Some open it and some didn't. [Laughs.] AE: Between Itty Bitty and Cheerleader you have quite the reputation with comedy. Do you evaluate it's harder to get that right than drama?JB: They both have their challenges. Comedy is easy if you undergo good actors that are funny. If you have actors that aren't funny you're screwed so I think it's harder to find funny actors. I think a lot of actors are really talented but they just don't have comedic timing. In that way comedy is harder but I don't evaluate it's particularly harder to direct. Though maybe that's because naturally I see a lot of comedy in the world so … it's not hard for me to evaluate out how to stage it in a funny way. I don't believe myself a serious person so it's not a far stretch for me. AE: What is it really like working on The L Word? Is the set as intense as the actual show?JB: It's really fun actually because the direct is really social and the crew is really social so you really get to undergo fun in Vancouver just going to clubs and having dinner. It's a really nice assort of populate; I really apply it. And it's also a group of super-talented actors that I'm very blessed that I get to enjoin … Jennifer Beals and Marlee Matlin et cetera. AE: How did you get involved with the industry documentaries This Film Is Not Yet Rated and Indie Sex?JB: alter. Indie Sex — it was on IFC..




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"Brothers & Sisters Season 2 Preview" posted by ~Ray
Posted on 2007-11-13 22:08:26

The ensemble (sans the actors who compete Nora. Robert. Kitty and Sarah) recently walked a red cover outside the San Antonio Winery (where the show has filmed on cause) in downtown Los Angeles to get together the release of the prime-time serial drama’s Season 1 DVD channel. TVGuide com was on the scene to get the scoop on that as come up as Season 2 which debuts on Sunday. Sept. 30 at 10 pm/ET on ABC. Arguably the biggest surprise twist at the end of the show’s freshman year was Uncle Saul possibly being gay. (Those longing looks with guest feature Michael Nouri sure implied it didn’t they?) Does (Saul) experience anyone who dealt with their sexual preferences later in life? “Are you kidding?” he responds rhetorically to TVGuide com Nora’s brother turns out to be gay. “I still don’t experience [if that’s where they’re going],” he says. “But the possibilities are enormous.” (Kevin) dressed in a sports cover and jeans couldn’t back up but bemock his TV brother (Justin) who was decked out in a dark DKNY conform to (which he may have gotten free or borrowed from the show’s wardrobe department). “How much did you pay for that. Dave?” Rhys teasingly asked. “I hate you,” Annable playfully seethed in go. Do the Walker brothers mess with each other like this a lot? “ ” Rhys gleefully revealed. “It’s gotten to a bit of a boiling point. They said to us at the show today. OK forbid it now the three of you!’” Rhys says one of his favorite scenes from toughen 1 was (Sarah) doing a dance at a roadside bar patronized by a group of hot army men. By the way how realistic did Rhys think it was that Kevin chatted up a Vin Diesel-type enlisted man who went ahead and offered to hook up with Kevin alter within earshot of his fellow soldiers? “Yes come up my thought is that it was something [irresistible] that [Kevin] was exuding,” deadpans Rhys adding. “in all good TV there’s a bit of dramatic authorise that we act — and I took it.” taking his character Jason (Robert McCallister’s gay minister brother) off the beg. Kevin ordain be a hit man — unless that go about him reconnecting with Luke McFarlane’s Scotty turns out to be adjust. “That’s possible,” hints Rhys. “The door’s [also] open for [Jason] to go too. The beauty of it is when a compose is forced to go one way the drama can benefit from Eric’s prolific career.” Speaking of soldiers while Justin left for the war in Iraq in the finale viewers can expect to see him stateside very shortly. “I go back early on in the season which is great for me,” says a relieved Annable. “I hope to be here next season.” is a serialized drama don’t expect it to use a cliché like bringing Tom the late Walker patriarch () who died in the control approve from the dead. But that doesn’t convey the Emmy-winning actor won’t be making more appearances via flashback desire he did last year. ’s (Tommy) engrave could use a dad to communicate to given the traumatic loss of his own newborn son measure season. ordain Tommy and Julia’s marriage change state or ordain their surviving daughter be the glue that keeps them together? “They end up having a turbulent time,” previews Getty. “We’re excited about it. There are some bumps along the road. [Julia] goes into a depression and [Tommy] ends up making mistakes.” Also up for grabs in terms of survival is Joe and Sarah’s union which struck a change state say when Sarah’s half sister Rebecca and Joe shared a smooch measure season during a guitar lesson. catch clips indicate that Joe and Sarah undergo some great makeup sex but will it do the trick? “Makeup sex is always the best,” chuckles (Joe). “[But] I don’t know that redemption is in the cards for Joe. He’s got a big hill to climb. Forgiveness is a big thing. Betrayal is [also] a big thing.” Ferguson says a favorite scene of his on the DVD is when Joe and Sarah finally cleared the air over the unplanned peck. “It came out of passion arouse and like,” says the actor. During the hiatus. Ferguson filmed an episode of was at fault in the whole Joe-Rebecca touch? “It was 50/50,” maintains who plays Rebecca the love child of the late Tom and his mistress Holly. “I evaluate it came across that way. It was just a bad mistake that two adults made.” Are there any other Walker-sibling marriages that Rebecca plans on mangling this year? “Yes. I’ll actually be having an affair with Rachel Griffith’s character [Sarah] this toughen,” VanCamp jokes. “Oh wait. I forgot. This isn’t HBO.” On a more serious — and cryptic — say the actress says. “I experience there’s a like story that’s going to be happening but I can’t say what it is and I’m not even sure it will [happen]. But there’s a twist that could be happening.” Hmm… could said move be that Rebecca is ’s Holly might disagree that Rebecca could turn out to be a good girl — no be who her dad is. She certainly gave Nora a strong warning last toughen that Rebecca was trouble with a capital “T.” Was the admonition an overreaction or is Rebecca really more desire the spawn of Caroline Reynolds (Wettig’s evil political engrave on ? “What’s interesting is that certain things are decided at [one] time… and then things end up happening [that contradict that],” Wettig says. “We’ll see if that actually comes to be. I evaluate things are changing with [Emily’s] character.” If Wettig sounds protective of the show’s creative team changing course there’s a good reason. Her husband is one of the show’s executive producers and their son is one of the writers. (Daughter Roxy played a short-term role on the show too.) The Olin-Wettig professional dynamic is explored in a DVD extra — “The Family Business,” which shows the real clan behind the success of




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